Q&A

Tess Gerritsen

Internationally bestselling author Tess Gerritsen took an unusual route to a writing career. A graduate of Stanford University, Tess went on to medical school at the University of California, San Francisco, where she was awarded her M.D.

While on maternity leave from her work as a physician, she began to write fiction. In 1987, her first novel was published. Call After Midnight, a romantic thriller, was followed by eight more romantic suspense novels. She also wrote a screenplay, “Adrift”, which aired as a 1993 CBS Movie of the Week starring Kate Jackson.

Interview by Elise Cooper

Q: Can you share the inspiration behind your novel “The Spy Coast”?

Tess: I moved here thirty-three years ago and found out that the town has many retired spies. My husband, who is a medical doctor, had patients who used to work for the government but could not talk about what they did. We found out they were retired CIA including two who lived on my street.

 

 

Q: While crafting this story, did the film “Red” influence any aspects of your characters or plot?

Tess: I thought a lot of the Helen Mirren character. I did not want to deal with assassinations. What I wanted to write about is the tragedy of the last operation that has haunted the main character, a spy, Maggie Bird. Maggie is made up. Yet, all the spies in the Martini Club are like those retired spies who live in Maine. They are smart and very educated.

 

 

Q: What motivated your choice of Maine as the setting for your novel?

Tess: It is a beautiful setting. This location has many safe houses. We have an International Conference in this little town of 5,000 people. They bring in every year leaders, politicians, and foreign policy experts from around the world. They come and speak here every winter. The town has residents with a lot of international experience.

 

 

Q: Could you delve into the contrasting personalities of the two spies, Diana Ward and Maggie Bird, in your story?

Tess: Diana is a bit of a sociopath. She does what needs to be done and does not care about the consequences or morality. She is the equivalent of the assassins in so many spy novels. She is very efficient. Diana is not someone who could be trusted, not loyal, and self-centered. Everything is all about her. She might be a good spy but is a bad person. On the other hand, Maggie is a spy with a conscience. She is in it to help her country. She was forced to cross a line she did not want to cross. It moved into her personal life, which had everything fall apart for her. Maggie is loyal, calm, friendly, accomplished with a strong sense of morality.

 

 

Q: In your book, there are two teenage girls, Callie and Bella. How do their characters evolve throughout the story?

Tess: Callie is the ultimate innocent. She is a farm girl who is hungry for a mother. She likes to lean on Maggie. Callie is a very vulnerable character. Bella starts off as a vulnerable character but ends up as a nightmare in training. She is being groomed for a bad role because her father is a powerful Russian oligarch, Phillip Hardwicke. Her father sees her as a tool. Her mother is much more of a traditional mom who cares about her daughter. Yet, her mother is disappointed Bella is not more like her. Bella is disrespected by both parents.

 

 

Q: Why did you decide to make Danny, Maggie’s husband, a doctor in your novel?

Tess: I started off making him a professional chef. But I needed someone who had close contact with the bad guy. It did not feel right so I made him a doctor who would know Phillip’s most intimate secrets. He traveled with him. I gave Hardwicke a lifelong history of seizures.

 

 

Q: How would you describe Phillip Hardwicke, a key character in your book?

Tess: He wants power, money, and prestige. He likes to get his way and does not care who gets hurt. He is a control freak, obsessive, intense, cruel, and very smart.

 

 

Q: What dynamics do the spies from The Martini Club have with the police chief Jo Thibodeau in the story?

Tess: They simultaneously are cooperative but also antagonistic. At the beginning Jo does not know who these people are, but later realize they are retired spooks. As time goes on in this book and the next, she realizes they are a big help to her.

 

 

Q: Have there been any discussions about adapting your book into a film or television series?

Tess: It has been optioned by Amazon for a television series. This is one of the reasons I went with this publisher. They attached a TV deal. There is already a screenwriter, and they are talking about who will play Maggie Bird.

 

 

Q: Can you tell us about your upcoming projects or the next book you are working on?

Tess: I am working on the sequel now. The second book will take place entirely in the town of Purity Maine. It will be titled The Summer Guests and is scheduled for the spring of 2025. It will still have the five retirees and the police chief. The plot has a family visiting in the summer whose teenage girl disappears, plus there is a cold case mystery. The sequel will be more of a classic mystery. If I do a third book that is when I will probably go back to the international setting again

Review by Elise Cooper

The Spy Coast by Tess Gerritsen sees her venturing out from traditional mystery to a spy thriller. In this novel, she expertly mixes spy drama with romance while adding a touch of humor. Not only is this a riveting tale, but the main character is also very engaging as she tackles the ghosts of her past.

Former spy Maggie Bird arrived in the seaside village of Purity, Maine, eager to put a tragic mission gone wrong behind her. Now living quietly on her chicken farm, still wary of blowback from the events that forced her early retirement, Maggie’s last assignment left her deeply disillusioned. Unexpectedly, a young woman calling herself Bianca arrives at her home, seeking Diana Ward, another old CIA colleague of Maggie’s. Diana, known for making enemies, is blamed by Maggie for the debacle in Malta that tore her life apart.

The plot thickens when Bianca’s body is dumped in Maggie’s driveway and someone takes shots at her from across a field. Maggie connects these events to the tragic case that led to her retirement from the CIA. She enlists the help of her baby boomer drinking buddies, four ex-agents collectively known as the Martini Club, each possessing a full assortment of tradecraft skills. They realize someone is seeking revenge on Maggie and work together to identify and locate these individuals. This forces them to revisit Maggie’s role in Operation Cyrano, the mission that changed her life and preceded her resignation. The story weaves through different timelines, 18 and 16 years ago, and the present, spanning locations across the globe.

The Martini Club also encounters Purity’s acting police chief, Jo Thibodeau, who is investigating the murder and shooting. Puzzled by Maggie’s reluctance to share information and her ability to consistently outmaneuver the police, Jo realizes there’s more to this group than meets the eye.

Readers will be hooked, searching for answers alongside Maggie and her retired CIA colleagues. Refreshing and entertaining, this departure from typical spy thrillers features senior citizens as protagonists. The story is amusing, suspenseful, and at times, intense.

THE SPY COAST

Book Group Discussion Questions

Maggie’s flashbacks to her prior career reveal the challenges of working as an undercover agent. Would you make a good spy? Why or why not?

Spies often appear in popular fiction (e.g. James Bond and Jason Bourne) . How does Maggie Bird differ from the spies in other books you’ve read?

The five members of The Martini Club each have their own special talents. What is YOUR secret superpower?

Maggie observes that “gray hair is the best disguise,” because older people are often unseen. If you too are older, do you have any personal experiences where you felt unseen? Or underestimated?

Did you believe the romance between Danny and Maggie was real? And when Danny’s fate was revealed, how did you react?

Maggie has chosen to run away from the past and create a new life for herself. If you could create a new life, unencumbered, where would you go and what would you do instead?

The Martini Club has a monthly book group, which instead serves as an excuse to dine, drink, and gossip. How does that compare with your own book group?

Do you foresee Jo Thibodeau eventually becoming a trusted ally to Maggie’s group? Or do you think there’ll always be tension between them?

Do YOU have any friends/family who worked in the intelligence field? Do they talk about it? (Or do you just suspect they had such jobs?)

UK Cover Reveal! (Release date in UK: Jan 18, 2024)

THE SPY COAST: read all about it!

from: PUBLISHERS WEEKLY:

“No matter how old we are, there are always adventures ahead for us.” —Tess Gerritsen

Rizzoli & Isles creator Tess Gerritsen has been gripping readers with her medical mysteries, police procedurals, and romantic thrillers since 1987, when she published Call After Midnight, written while she was a physician on maternity leave. Almost four decades, some 40 million sales, and a raft of awards, bestsellers, and TV and film adaptations later, readers can rest assured that the author PW has called “the queen of medical suspense” isn’t thinking about retirement—at least in real life.

But 60-year-old Maggie Bird, the hero of Gerritsen’s new thriller The Spy Coast (Thomas & Mercer, Oct.), is giving the quiet post-work life a go, raising chickens in small-town Maine. Since this is a Gerritsen book, and since Maggie was once a covert operative for the CIA, readers know they won’t have long to wait before the idyll ends and Maggie’s caught up in the kind of tense, twisting mystery that has long been Gerritsen’s hallmark. When murder comes right to her driveway, Maggie must face blowback from her agency past—and an assassin in the present eager to destroy the life Maggie has built. Fortunately, she has unexpected assistance in the form of the Martini Club, a vibrant cohort of ex-spies and operatives who have retired on Maine’s coast and are eager for a little action.

A series kickoff, The Spy Coast was inspired by “a quirky secret” Gerritsen discovered about her own rural Maine village, she says. “A surprising number of CIA retirees live here. Just on the short street where I lived, two different neighbors were former intelligence officers.”

That sparked an irresistible idea. “When I’d see them at the grocery store or the post office, going about their seemingly ordinary lives, I couldn’t help wondering about their past careers and the tales they could tell,” Gerritsen says.

Besides the opportunity to write about Maine, for Gerritsen one of the most enticing aspects of the Martini Club is the chance to build thrillers around a mature cast. “I hope readers look at retirees with new curiosity and appreciate that some heroes have silver hair,” she says. “And I hope it inspires us all to believe that, no matter how old we are, there are always adventures ahead for us.”


Introducing Maggie Bird, heroine of my new series!

Coming this fall in the US, and in January in the UK

From THE BOOKSELLER

“Transworld has snapped up two new novels about a retired spy called Maggie Bird, from the bestselling author Tess Gerritsen.

Sarah Adams, fiction publisher, bought UK and Commonwealth rights in two books from Meg Ruley and Rebecca Scherer at Jane Rotrosen Agency. The first novel, titled The Spy Coast, will publish in January 2024.

The synopsis reads: “Maggie Bird has lived many lives and many lies, right across the globe. Finally, she gets to hunker down in the bucolic town of Purity, with nothing but her chickens and her ‘Martini Club’ friends to keep her company. But her past is about to come back to haunt her when someone delivers a dead body to her door.

“Maggie and her ‘book club’ swiftly revert to espionage mode, burning a trail from London to Bangkok to Milan to stay one step ahead of those who want former agent Bird dead. Maggie knows that some parts of the past refuse to stay buried. And that sometimes an old spy must give up her ghosts.”

Adams said: “I couldn’t be more excited to be publishing The Spy Coast. It’s fun, it’s exhilarating, and it left me desperate for more. Tess has created a captivating new character in Maggie Bird, who spent her career navigating a world where no one can be trusted, and who now craves a quiet retirement. But whilst Maggie may be determined to hide away under her alias, readers are going to want to talk about her, and she is going to have to get used to that! Get ready to read this with a martini in hand, and one eye on the door.”

Gerritsen added: “When I moved to Maine 30 years ago, I discovered a startling secret: my quiet village harbours a number of retired spies. The silver-haired friends and neighbours I chat with in the grocery store or the post office have complex past lives, lives they can’t talk about. What might these unassuming retirees be hiding? What if their old skills are still there, ready to be put to use? That’s what inspired The Spy Coast, and its circle of old spies known as ’The Martini Club’. I’m delighted to be telling their stories, and so happy to once again join the wonderful team at Transworld to bring this new series to readers.”

Terry Gerritsen Terry Gerritsen

Watch our film Magnificent Beast

Many of you know about this fun and crazy project I’ve been working on for the past few years, a feature documentary film called Magnificent Beast I invite you to our first virtual screening event! For ten days you’ll have exclusive access to the very first showing of our film. The screening runs from February 12-21 and is viewable worldwide.

Also, please join me and my co-director for a Zoom Q&A on Sunday, February 21st, where we’ll answer all your burning questions.

Magnificent Beast is about the history of pigs and humans together. Why pigs? They’re intelligent. They’re the ultimate survivors. And since the dawn of humanity, they’ve had a complex relationship with us as food, as foe, and even as friend. Our relationship with pigs is so fraught that some cultures forbid pork, and our film dives deeply into the ancient roots of that taboo.

Read More
Josh Gerritsen Josh Gerritsen

Our “Pig” documentary now in post-production!

There are many ways to tell a story — around a campfire, on the page, and on the screen. A few years ago, my son Josh and I plunged into filmmaking with our first feature horror movie, “Island Zero.” Now we’ve almost completed our second feature film together, a documentary called “Magnificent Beast.”

It was born some years ago while I was on vacation in Turkey during Ramadan. It was impossible to find bacon there, and I wondered why pork was a taboo food for so much of the world’s population. What are the historical roots of the pig as a forbidden animal?

In our hunt for the origins of the pig taboo, Josh and traveled across the U.S and abroad to Egypt and the UK to speak to archaeologists, religious scholars, pig farmers, and pig hunters. We were welcomed into the homes of pet pig owners and visited a pig sanctuary, where abandoned pet pigs can peacefully live out their lives. We delved into all the facets of this highly intelligent and complex animal — an animal with whom we humans have shared an uneasy relationship for thousands of years.

Read More
Josh Gerritsen Josh Gerritsen

Strand Cinema Ghosts

Who is the angry woman whose ghost haunts the Spotlight Cinema at the Strand Theater?  Check out my latest video for some clues!

Read More
Josh Gerritsen Josh Gerritsen

Haunted Maine: Fort Knox Ghosts

Maine is notorious for having many haunted places.  Join me as I explore Fort Knox in Prospect, Maine — a place that’s rumored to hide a ghost or two.

Read More
Josh Gerritsen Josh Gerritsen

Don’t Kill The Dog

Every thriller writer knows you must never, ever kill a pet in your novel. You can torture and mutilate any number of human beings. You can slice and dice women, massacre men on a battlefield, and readers will keep turning the pages. But harm one little chihuahua and you’ve gone too far. The readers will let you have it.

I learned that lesson the hard way when I wrote PLAYING WITH FIRE, about the fate of a Jewish-Italian family during WWII. What upset readers wasn’t the tragic fate of the doomed young lovers, or the fact the family perishes in a Nazi death camp. No, what really outraged them – and boy, did they vent their outrage in emails, reviews and reader forums — was the death of a fictional cat. In a novel about the Holocaust.

I was certainly aware that animal deaths are a trigger point in fiction, even for hardcore thriller readers, but I assumed horror movie fans were a tougher bunch. After all, they’re accustomed to zombie apocalypses and oozing brains and fountains of blood. Surely they can handle the death of a yappy little terrier.

Or so I thought when my son Josh and I made our low-budget horror film “Island Zero.” Set on a remote Maine island at Christmas, the movie’s about a small fishing community that finds itself cut off from the outside world when the ferry suddenly stops coming, and no one knows why. The phones are dead, the power’s out, and every fisherman who tries to make it to the mainland vanishes. When horribly mutilated bodies start to turn up along the water’s edge, the survivors realize that someone – or something – is hunting them. Without the budget for big-studio CGI or elaborate creature effects, we focused instead on a character-driven plot. Inspired by wintry Scandinavian films, “Island Zero” is very much about the villagers and their personal crises. The story is a slow but inexorable buildup to terror. Would a horror audience sit through a film where the blood doesn’t start spilling until the second half? How could we goose the scare factor early in the story?

We chose to add a cold open before the opening credits. This introductory scene is the equivalent of a prologue in a novel, and it gives the audience a taste of the scares to come. We had access to a sailboat and our producer found a scene-stealing terrier named Henry, who made his big-screen acting debut playing the very first victim. Henry happily dove right into the job, yapping on cue as we filmed his gruesome cinematic fate. Problem solved!

Or so we thought.

Not long after the film was completed, I got an urgent call from my friend Dan Rosen, a screenwriter who’d watched “Island Zero” at a film festival. “You can’t kill the dog! You’ll piss off the audience and they won’t sit through the rest of the movie because they’ll still be thinking about the dog!” He implored us to get rid of the cold open before we officially released the film.

I worried that Dan was right, but the rest of the “Island Zero” team adamantly refused to cut the cold open. They told me that horror audiences are tough, they want a jolt of adrenaline in the first three minutes, and a focus group who’d watched the film never raised any objections to the dead dog.

Reluctantly I agreed to keep the cold open.

A few months later, our distributor Freestyle Media released “Island Zero” on multiple streaming platforms. The very first week, it hit the top ten in horror films on iTunes, which was astonishing for a low-budget film by first-time indie filmmakers, and it picked up review attention from dozens of horror film critics. But it soon became clear that the dead dog was shocking viewers. Even gore-hardened horror audiences have trigger points, and one thing that really triggers moviegoers is dead pets. It’s such a sore point there’s even a website called DoesTheDogDie.com, which warns audiences which movies to avoid.

With our very first scene, we had broken one of Hollywood’s biggest taboos – a taboo so universally known that Blake Snyder’s classic book about screenwriting is called Save The Cat. When the fate of a dog named Boomer is unclear in the space-alien movie “Independence Day,” audiences sent an avalanche of angry letters in protest. (The alien attack wipes out entire cities and millions of people, but it was the dog’s fate that really upset them.)

While “Island Zero” was already available on multiple North American platforms, the DVD had not yet been released and it had not yet hit the international market. Could we somehow salvage the situation and save “Island Zero” from the eternal wrath of pet-loving viewers?

There was only one way to fix the problem: shoot a new cold open. It’s a desperate measure, akin to writing a new prologue after the book’s already out in stores, but we didn’t want one dead dog to sink our baby. Heading back to the drawing board, I wrote a new opening scene that wove in a crucial element from the main story. We dove back into the filmmaking process. It was like shooting an entirely new film and we started from scratch, scouting and securing a boat as the location, hiring new talent (actress Kelly McAndrew) and crew, collecting props and costumes, blocking scenes, and experimenting with special effects. For a crucial blood splatter, Josh and I spent days tinkering with corn syrup and dye to get just the right consistency and color to make a cinematic splash. What worried us most: our unpredictable Maine weather. The two-day shoot had to be scheduled a month in advance; would the seas be calm?

On the day of the shoot, the weather gods were good to us, Kelly was a dream to work with, and everything came together, right down to the blood splatter. The new cold open also makes the storytelling richer, showing a past event that is referenced multiple times throughout the film.

Two weeks later, the new cold open was ready for release, just in time for the DVD and Blu-Ray. We also insisted on having it replace the old version across all streaming platforms. Now if you stream “Island Zero” on iTunes or Amazon, the scene with the dead dog is gone. Instead what you’ll get is a dead woman. (Which audiences apparently find perfectly acceptable.) The new version will be on all other streaming platforms soon.

Sometimes, the best way to learn filmmaking is to simply dive in, do it – and make mistakes. And one of our mistakes was forgetting that the principles of storytelling are universal. Whether they’re reading a book or watching a movie, all audiences want their emotions tweaked by a great plot and engaging characters. Give them drama or comedy, thrills or tears. They’ll forgive you if you kill the hero or heroine, if you level cities or wipe out mankind.

But never, ever, kill the dog.

Watch the new version of Island Zero:
on iTunes
on Amazon



Read More
Josh Gerritsen Josh Gerritsen

“Island Zero “ Reviews at In!

Screeners went out to two dozen horror film reviewers and the early reviews are back.  As a debut horror film writer/producer, working with a very limited budget, a large cast, the complex topic of climate change, and — yes — a sea monster, I’m thrilled that “Island Zero” is getting a nice reception. And especially thrilled that our “rock-solid” cast (Laila Robins, Adam Wade McLaughlin, Teri Reeves, Matthew Wilkas, Elaine Landry, and Annabel Graetz) is getting such praise!

“One of the best combinations of horror and science fiction this year, and it’s a supreme mix of old school creature feature elements and modern action-thriller troupes.” – MGDSQUAN, Horrorsociety.com

“A spectacular job … It’s a well-paced bit of frightening fun and well worth a view.  Rating: 9.2 / 10.” — Tara Cuvelier, Geekisiphere

“ISLAND ZERO is the Fun, Low-Budget Creature Film We’ve Been Waiting For… while it has its budget-related faults, (it) does more with less than many of the high-dollar monster outings we have seen in the past. Do yourself a favor and check it out.”–  Tyler Liston, Nightmare on Film Street

“ISLAND ZERO represents the best kind of throwback horror — it displays plucky indie resourcefulness at every turn… just pass the popcorn and the shotgun, sit back, and enjoy.”

— Peter Gutierrez, DailyGrindhouse.com

“Director Josh Gerritsen and Writer Tess Gerritsen … can both pat themselves on the back for doing what few horror movies can incite in a viewer, much less a reviewer- the kind of terror that drives us to barricading the doors and crying to our parents.” — Muertana, Sinful Celluloid

“With plenty of intense situations, a blood inducing action, Island Zero stands out and rises above mere genre convention. As a plus, the strong cast, grounded writing and a piercing score contribute mightily in boosting the thrills and chills.”  — Rick Rice, MXDWN.com reviews

“Director Josh Gerritsen delivers a fun, well-crafted creature feature in the independent offering Island Zero, a made-in-Maine movie that is destined to surprise viewers. Though elements of Stephen King, H.P. Lovecraft, and 1950s monster movies are evident, the film builds a dread-filled world all its own…It’s a taut suspenser that creature-feature fans should find to be a fantastic discovery.”

— Joseph Perry, Ghastly Grinning

“Truly, the writing is where this film excels. There is a natural twist in the second half that you don’t see coming, the characters are for the most part well delineated and three dimensional, and the foggy atmosphere of the fishing island where the action takes place gives an eerie quality to all the proceedings.”

–Holly Interlandi, Famous Monsters of Filmland

“ISLAND ZERO may not have the biggest budget in history and may also be a throwback to the creature-features of the 70s and 80s, but it does deliver. Something else that it does – and does well – is reflect an anxious contemporary society’s fears about a myriad of things including isolation, the exhaustion of natural resources and governmental disregard for the individual.”

— Maria Olsen, Scare Tissue

“Providing a good amount of scares and unsettling tension, Island Zero is a well-paced and strongly developed low-budget horror. Making great use of its Maine location and local scenery, this homegrown film punches well above its weight to deliver a tense and smart thriller.”

— Robert W Monk, Flickering Myth

“Island Zero is cleverly written and the direction is flawless.  Josh Gerritsen does a great job keeping the film moving at a steady pace while building on the atmosphere and mood as it moves along. This is a scary and thrilling horror, a gem of an indie.”      — Patrick Ricketts, Video Views

“Island Zero has a lot going for it, including excellent writing and direction and some stellar performances, especially by Laila Robins as the local doctor, Maggie…As in the best of creature features, the creatures of “Island Zero,” in all their strangeness, push us beyond the boundaries of our known world.”

— Dawn Keetley, Horror Homeroom

“Island Zero” is a slow burn of a film.  It keeps the menace off-screen for most of the film while it builds up suspense bit by bit until the final act. Then it unleashes a few twists along with its creatures for a suitably tense finale.”  — Jim Morazzini, Voices From The Balcony

“Punching well above its weight, this is a film unashamed of its own smallness and willing to take risks in service of the story. It’s a fantastic calling card for the Gerritsens, and genre fans may find themselves enjoying it a great deal.”  — Jennie Kemode, Eye for Film (UK)

“A fun ride, with rounded characters to root for and a well-structured script that leads to a gratifyingly credible denouement.”  — William Cutshaw, Forces of Geek

“Adding to the strength of the picture are rock-solid acting, a nice slow-burn storyline fraught with mounting tension as the isolation begins playing on an ever more desperate populace.”   – Dan XIII, Horrorfuel.com

“A fun creature feature… it hits the marks it needs to and keeps everything entertaining for the audience.” —  Darren Lucas, Moviesreview101.com

“Island Zero is reminiscent of a lost film you’d see late at night flicking through channels, it brings a 70s type feel with it (despite not being a 70s set film) and whilst you may think that I am deriding the film for this, in fact it is the opposite – I kind of fell in love with the style, the film just had me with its low budget charm and it is an indie film through and through.” – Ryan Morrissey-Smith , HaddonfieldHorror.com

“Josh and Tess Gerritsen have focused on building their atmosphere of dread rather than on bombastic, balls-out horror and spectacle, and this makes all the difference.  While it has the vibe of an 80s Carpenter flick, it also manages to define its own personality, which makes it stand out from other mid-to-low budget fright flicks.” – Ernesto Zelaya Minano, SCREENARCHY

“Island Zero works because on a basic level, it is a story about people.  Certainly there are monsters and enough gore to satiate the appetite of gorehound viewers, but as with every story of its kind, the island can be saved only when islander and outsider work together. That’s why these stories are so effective, and Gerritsen ultimately proves that he has what it takes to tell this kind of story which bodes well for whatever his next project may be.” – Waylon Jordon, IHORROR

Read More
Josh Gerritsen Josh Gerritsen

Horror in Maine: “Island Zero” releases May 15!

A few years ago, on a lovely summer day, my son Josh and I were weeding the garden when I confessed a secret: “I’ve always wanted to write a horror film.” Josh had worked as a documentary filmmaker, and had never made a narrative film, but he was game.  “You write it, I’ll direct it,” he said.

I had several goals in mind when I wrote the script for “Island Zero.”  First, I wanted to honor the fun B-film creature features of my childhood, the era of “Them” and “The Thing.”  And I wanted to give the genre  a modern twist.  Instead of featuring a classic hero or a bevy of nubile teenagers, in my story, mature female characters would take center stage.  When the going gets tough, the older women take command — one woman in particular, who has  a tragic past and a backbone of steel.

It took me a few months to write the script. Then Josh brought in his good friend from high school, Mariah Klapatch, as a producer, and she guided us through the process of casting, hiring, and cutting my over-ambitious script down to low-budget size.  (I had no idea how expensive it is to break a window or shoot on the water.  Not to mention building a sea monster.)

A little over a year later, a team of actors and crew assembled on a very cold March in Maine to film “Island Zero.”  Working with a low budget, with costumes gleaned from Goodwill stores and a cast that was 75% local, Josh shot the film in a lightning quick 18 days.  They endured rain and sleet during outdoor scenes, and one actress (who had to pose outside for hours as a corpse) said she could feel her eyeballs freezing over. They shuttled back and forth by ferry to the island of Islesboro (the story, after all, does take place on an island!) and some nights the craft service team, which catered the food, found their delicious salads freezing as soon as they set them out.

Yet somehow, our small but mighty team managed to make a movie.  And we even managed to burn down a house. (On purpose!)

The premise is simple: What if the ferry that supplies a remote Maine island just stops coming?  What if the phones are dead, the power’s out, and every boat the islanders send to the mainland fails to return?  The hardy band of survivors, left with a dwindling supply of food, must find out who — or what — has cut them off from the rest of the world.  And soon the dead bodies start turning up…

On May 15, “Island Zero” will be released in North America on video-on-demand through iTunes, Amazon, Google Play, Vudu, YouTube Movies, and through cable on DirecTV, Dish, InDemand, and other cable outlets.  In June, it will come out on DVD.

It’s been a long journey, we’ve learned a lot as first-time horror filmmakers, and we can’t wait to do it again!

For more info, check out the Island Zero website.

Read More
Josh Gerritsen Josh Gerritsen

Read the book that launched my thriller-writing career: HARVEST

23 years ago, I got a startling call from my literary agent, Meg Ruley.  Up till then I’d been writing romantic suspense novels for Harlequin Intrigue and Harper Paperbacks, but I was hoping to branch out in a new direction.  I’d submitted about 150 pages of the new medical thriller I was writing, and Meg thought those initial pages were strong enough to attract offers from publishers.  A few weeks after she sent out my partial manuscript, Meg called to say that Pocket Books wanted to buy my novel.  They planned to release it as a hardcover, and they were willing to put every effort into marketing it.

That book was HARVEST, and it marked my debut on the NYT Bestseller list.

Now, almost a quarter century later, HARVEST has been re-released as a trade paperback.  Here’s your chance to read the book that launched my career as a thriller writer.

Read More