Excerpt from "The Apprentice"

The Newton patrolman posted in front of the house was just a rookie, and he did not recognize Rizzoli. He stopped her at the perimeter of the police tape and addressed her with a brusque tone that matched his newly minted uniform. His nametag said Ridge.

"This is a crime scene, Ma'am."

"I'm Detective Rizzoli, Boston P.D. Here to see Detective Korsak."

"I.D., please."

She hadn't expected such a request, and she had to dig in her purse for her badge. In the city of Boston, just about every patrolman knew exactly who she was. One short drive out of her territory, into this well-heeled suburb, and suddenly she was reduced to fumbling for her badge. She held it right up to his nose.

He took one look and flushed. "I'm really sorry, Ma'am. See, there was this asshole reporter who talked her way past me just a few minutes ago. I wasn't gonna let that happen again."

"Is Korsak inside?"

"Yes, Ma'am."

She eyed the jumble of vehicles parked on the street, among them a white van with "Commonwealth Massachusetts, Office of the Medical Examiner" stenciled on the side.

"How many victims?" she asked.

"One. They're getting ready to move him out now."

The patrolman lifted the tape to let her pass into the front yard. Birds chirped and the air smelled like sweet grass. You're not in South Boston any more, she thought. The landscaping was immaculate, with clipped boxwood hedges and a lawn that was bright Astro-turf green. She paused on the brick walkway and stared up at the roofline with its Tudor accents. Lord of the fake English manor was what came to mind. This was not a house, nor a neighborhood, that an honest cop could ever afford.

"Some digs, huh?" Patrolman Ridge called out to her.

"What did this guy do for a living?"

"I hear he was some kind of surgeon."

Surgeon. For her, the word had special meaning, and the sound of it pierced her like an icy needle, chilling her even on this warm day. She looked at the front door, and saw that the knob was sooty with fingerprint powder. She took a deep breath, pulled on latex gloves, and slipped paper booties over her shoes. Inside, she saw polished oak floors and a stairwell that rose to cathedral heights. A stained glass window let in glowing lozenges of color.

She heard the whish-whish of paper shoecovers and a bear of a man lumbered into the hallway. Though he was dressed in businesslike attire, with a neatly knotted tie, the effect was ruined by the twin continents of sweat staining his underarms. His shirt cuffs were rolled up, revealing beefy arms bristling with dark hair. "Rizzoli?" he asked.

"One and the same."

He came toward her, arm outstretched, then remembered he was wearing gloves and he let his hand fall again. "Vince Korsak. Sorry I couldn't say more over the phone, but everyone's got a scanner these days. Already had one reporter worm her way in here. What a bitch."

"So I heard."

"Look, I know you're probably wondering what the hell you're doing way out here. But I followed your work last year. You know, the Surgeon killings. I thought you'd want to see this."

Her mouth had gone dry. "What've you got?"

"Vic's in the family room. Dr. Richard Yeager, age thirty six. Orthopedic surgeon. This is his residence."

She glanced up at the stained glass window. "You Newton boys get the upscale homicides."

"Hey, Boston P.D. can have'em all. This isn't supposed to happen out here. Especially weird shit like this."

Korsak led the way down the hall, into the family room. Rizzoli's first view was of brilliant sunlight flooding through a two-story wall of ground-to-ceiling windows. Despite the number of CST's at work here, the room felt spacious and stark, all white walls and gleaming wood floors.

And blood. No matter how many crime scenes she walked into, that first sight of blood always shocked her. A comet's tail of arterial splatter had shot across the wall, and trickled down in streamers. The source of that blood, Dr. Richard Yeager, sat with his back propped up against the wall, his wrists bound behind him. He was wearing only boxer shorts, and his legs were stretched out in front of him, the ankles bound with duct tape. His head lolled forward, obscuring her view of the wound that had released the fatal hemorrhage, but she did not need to see the slash to know that it had gone deep, to the carotid and the windpipe. She was already too familiar with the aftermath of such a wound, and she could read his final moments in the pattern of blood: the artery spurting, the lungs filling up, the victim aspirating through his severed windpipe. Drowning in his own blood. Exhaled tracheal spray had dried on his bare chest. Judging by his broad shoulders and his musculature, he had been physically fit --surely capable of fighting back against an attacker. Yet he had died with head bowed, in a posture of obeisance.

The two morgue attendants had already brought in their stretcher, and were standing by the body, considering how best to move a corpse that was frozen in rigor mortis.

"When the M.E. saw him at ten a.m.," said Korsak, "livor mortis was fixed, and he was in full rigor. She estimated the time of death somewhere between midnight and three a.m.

"Who found him?"

"His office nurse. When he didn't show up at the clinic this morning, and he didn't answer his phone, she drove over to check on him. Found him around nine a.m. There's no sign of his wife."

Rizzoli looked at Korsak. "Wife?"

"Gail Yeager, age thirty one. She's missing."

The chill she had felt standing by the Yeagers' front door was back again. "An abduction?"

"I'm just saying she's missing."

Rizzoli stared at Richard Yeager, whose muscle-bound body had proved no match for Death. "Tell me about these people. Their marriage."

"Happy couple. That's what everyone says."

"That's what they always say."

"In this case, it does seem to be true. Only been married two years. Bought this house a year ago. She's an O.R. nurse at his hospital, so they had the same circle of friends, same work schedule."

"That's a lot of togetherness."

"Yeah, I know. It'd drive me bonkers if I had to hang around with my wife all day. But they seemed to get along fine. Last month, he took two whole weeks off, just to stay home with her after her mother died. How much you figure an orthopedic surgeon makes in two weeks, huh? Fifteen, twenty thousand bucks? That's some expensive comfort he was giving her."

"She must have needed it."

Korsak shrugged. "Still."

"So you found no reason why she'd walk out on him."

"Much less whack him."

Rizzoli glanced at the family room windows. Trees and shrubbery blocked any view of neighboring houses. "You said the time of death was between midnight and three."

"Yeah."

"Did the neighbors hear anything?"

"Folks to the left are in Paris. Ooh la la. Neighbors to the right slept soundly all night."

"Forced entry?"

"Kitchen window. Screen pried off, used a glass cutter. Size eleven shoeprints in the flowerbed. Same prints tracked blood in this room." He took out a handkerchief and wiped his moist forehead. Korsak was one of those unlucky individuals for whom no antiperspirant was powerful enough. Just in the few minutes they'd been conversing, the sweat stains in his shirt had spread.

"Okay, let's slide him away from the wall," one of the morgue attendants said. "Tip him onto the sheet."

"Watch the head! It's slipping!"

"Aw, Jesus."

Rizzoli and Korsak fell silent as Dr. Yeager was laid sideways on a disposable sheet. Rigor mortis had stiffened the corpse into a ninety degree angle, and the attendants debated how to arrange him on the stretcher, given his grotesque posture.

Rizzoli suddenly focused on a chip of white lying on the floor, where the body had been sitting. She crouched down to retrieve what appeared to be a tiny shard of china.

"Broken teacup," said Korsak.

"What?"

"There was a teacup and saucer next to the victim. Looked like it fell off his lap or something. We've already packed it up for prints." He saw her puzzled look and he shrugged. "Don't ask me."

"Symbolic artifact?"

"Yeah. Ritual tea party for the dead guy."

She stared at the small chip of china lying in her gloved palm and considered what it meant. A knot had formed in her stomach. A terrible sense of familiarity. A slashed throat. Duct tape bindings. Nocturnal entry through a window. The victim or victims surprised while asleep.

And a missing woman.

"Where's the bedroom?" she asked. Not wanting to see it. Afraid to see it.

"Okay. This is what I wanted you to look at."

The hallway that led to the bedroom was hung with framed black and white photographs. Not the smiling-family poses that most houses displayed, but stark images of female nudes, the faces obscured or turned from the camera, the torsos anonymous. A woman embracing a tree, smooth skin pressed against rough bark. A seated woman bent forward, her long blond hair cascading down between her bare thighs. A woman reaching for the sky, torso glistening with the sweat of vigorous exercise. Rizzoli paused to study a photo that had been knocked askew.

"These are all the same woman," she said.

"It's her."

"Mrs. Yeager?"

"Looks like they had a kinky thing going, huh?"

She stared at Gail Yeager's finely toned body. "I don't think it's kinky at all. These are beautiful pictures."

"Yeah, whatever. Bedroom's in here." He pointed through the doorway.

She stopped at the threshold. Inside was a king-sized bed, its covers thrown back, as though its occupants had been abruptly roused from sleep. On the shell-pink carpet, the nylon pile had been flattened in two separate swaths leading from the bed to the doorway.

Rizzoli said, softly: "They were both dragged from the bed."

Korsak nodded. "Our perp surprises them in bed. Somehow subdues them. Binds their wrists and ankles. Drags them across the carpet and into the hallway, where the wood floor begins."

She was baffled by the killer's actions. She imagined him standing where she was now, looking in at the sleeping couple. A window high over the bed, uncurtained, would have spilled enough light to see which was the man, and which the woman. He would go to Dr. Yeager first. It was the logical thing to do, to control the man. Leave the woman for later. This much she could envision. The approach, the initial attack. What she did not understand was what came next.

"Why move them?" she said. "Why not kill Dr. Yeager right here? What was the point of bringing them out of the bedroom?"

"I don't know." He pointed through the doorway. "It's all been photographed. You can go in."

Reluctantly she entered the room, avoiding the drag marks on the carpet, and crossed to the bed. She saw no blood on the sheets or the covers. On one pillow was a long blond strand -- Mrs. Yeager's side of the bed, she thought. She turned to the dresser, where a framed photograph of the couple confirmed that Gail Yeager was indeed a blond. A pretty one, too, with light blue eyes and a dusting of freckles on deeply tanned skin. Dr. Yeager had his arm draped around her shoulder, and projected the brawny confidence of a man who knows he is physically imposing. Not a man who would one day end up dead in his underwear, his hands and feet bound.

"It's on the chair," said Korsak.

"What?"

"Look at the chair."

She turned to face the corner of the room, and saw an antique ladder-back chair. Lying on the seat was a folded nightgown. Moving closer, she saw bright spatters of red staining the cream satin.

The hairs on the back of her neck were suddenly bristling, and for a few seconds she forgot to breathe.

She reached down and lifted one corner of the garment. The underside of the fold was spattered as well.

"We don't know whose blood it is," said Korsak. "It could be Dr. Yeager's, it could be the wife's."

"It was already stained before he folded it."

"But there's no other blood in this room. Which means it got splattered in the other room. Then he brought it into this bedroom. Folded it nice and neat. Placed it on that chair, like a little parting gift." Korsak paused. "Does that remind you of someone?"

She swallowed. "You know it does."

"This killer is copying your boy's old signature."

"No, this is different. This is all different. The Surgeon never attacked couples."

"The folded nightclothes. The duct tape. The victims surprised in bed."

"Warren Hoyt chose single women. Victims he could quickly subdue."

"But look at the similarities! I'm telling you, we've got a copycat. Some wacko who's been reading about the Surgeon."

Rizzoli was still staring at the nightgown, remembering other bedrooms, other scenes of death. It had happened during a summer of unbearable heat, like this one, when women slept with their windows open and a man named Warren Hoyt crept into their homes. He brought with him his dark fantasies and his scalpels, the instruments with which he performed his bloody rituals on victims who were awake and aware of every slice of his blade. She gazed at that nightgown, and a vision of Hoyt's utterly ordinary face sprang clearly to mind, a face that still surfaced in her nightmares.

But this is not his work. Warren Hoyt is safely locked away in a place he can't escape. I know, because I put the bastard there myself.

"The Boston Globe printed every juicy detail," said Korsak. "Your boy even made it into the New York Times. Now this perp is reenacting it."

"No, your killer is doing things Hoyt never did. He drags this couple out of the bedroom, into another room. He props up the man in a sitting position, then slashes his neck. It's more like an execution. Or part of a ritual. Then there's the woman. He kills the husband, but what does he do with the wife?" She stopped, suddenly remembering the shard of china on the floor. The broken teacup. Its significance blew through her like an icy wind.

Without a word, she walked out of the bedroom and returned to the family room. She looked at the wall where the corpse of Dr. Yeager had been sitting. She looked down at the floor and began to pace a wider and wider circle, studying the spatters of blood on the wood.

"Rizzoli?" said Korsak.

She turned to the windows and squinted against the sunlight. "It's too bright in here. And there's so much glass. We can't cover it all. We'll have to come back tonight."

"You thinking of using a Luma-lite?"

"We'll need ultraviolet to see it."

"What are you looking for?"

She turned back to the wall. "Dr. Yeager was sitting there when he died. Our unknown subject dragged him from the bedroom. Propped him up against that wall, and made him face the center of the room."

"Okay."

"Why was he placed there? Why go to all that trouble while the victim's still alive? There had to be a reason."

"What reason?"

"He was put there to watch something. To be a witness to what happened in this room."

At last Korsak's face registered appalled comprehension. He stared at the wall, where Dr. Yeager had sat, an audience of one in a theater of horror.

"Oh, Jesus," he said. "Mrs. Yeager."